Julia and Victoria conclude that How High We Go in the Dark by Sequoia Nagamatsu is a very good book–Julia is just sad.

Julia and Victoria grapple with the grotesque narrative choices in Whale by Cheon Myeong-Kwan, translated by Chi-young Kim. Julia incorrectly uses the word “epigraph” when she means “epitaph” approximately 25 times.

Julia and Victoria try to decipher the rules of Eight Billion Genies, the newest comic book series from Charles Soule and Ryan Browne, because Julia likes rules. They also learn about how one random French guy playing fast and loose with a One Thousand and One Nights translation made up most of what the “Western” world “knows” about “genies.” Tale as old as time.

Julia is truly bamboozled, Victoria embraces that she is a vampire girlie, and they both dig into the context of Joseph Sheridan LeFanu’s Carmilla, edited with commentary by the absolute legend Carmen Maria Machado.

Exploring anarchism, feminism, and the Cold War, Julia and Victoria unpack the context of The Dispossessed by the brilliant and sassy Ursula K. Le Guin. Join for the sci-fi, stay for Barbenheimer, alien Jesus, and a confusion of Ursulas. Also Julia has minor microphone problems. (She sincerely apologizes).

Julia and Victoria wrestle with their frustrations with The Book of Form and Emptiness by Ruth Ozeki and try to get to the bottom of important questions like, “What happened?” and “Who is this book for?”

Julia and Victoria apply a postcolonial perspective to Ayana Lloyd Banwo’s When We Were Birds, a novel about death, magical matriarchs, love, and VIBES.

Julia and Victoria make their case as to why Babel by R. F. Kuang should be two (or three?) books. Point #1: It is amazing, and the people want more.

Julia and Victoria have an epiphany, answer their lingering questions, and discuss major series themes of time and the legacy of oppression while discussing The Stone Sky, conclusion of the Broken Earth trilogy, by N. K. Jemisin.

Julia has questions. Victoria does some digging. They both gain context on the voice of author Cho Nam-Joo of Kim Jiyoung, Born 1982 and the impact the novel had on the life and politics of South Korea in 2016.

Julia and Victoria lose their minds talking about reality and worldviews in Piranesi by Susanna Clarke.

Julia and Victoria talk inevitability and unreliable narrators in The Story of the Lost Child and celebrate finishing Elena Ferrante’s iconic Neapolitan series. They try and fail to solve the unsolvable ending.