Julia discusses disability, comedy, creativity, and treating people like people with Steven Verdile, the founder of the disability satire publication The Squeaky Wheel.

Julia and Victoria learn what the word “flannel” means in British English and formulate their own theories about what happened to a stranded deep-sea researcher in the devastatingly beautiful novel Our Wives Under the Sea by Julia Armfield.

Julia and Victoria conclude that How High We Go in the Dark by Sequoia Nagamatsu is a very good book–Julia is just sad.

Julia and Victoria grapple with the grotesque narrative choices in Whale by Cheon Myeong-Kwan, translated by Chi-young Kim. Julia incorrectly uses the word “epigraph” when she means “epitaph” approximately 25 times.

Julia and Victoria try to decipher the rules of Eight Billion Genies, the newest comic book series from Charles Soule and Ryan Browne, because Julia likes rules. They also learn about how one random French guy playing fast and loose with a One Thousand and One Nights translation made up most of what the “Western” world “knows” about “genies.” Tale as old as time.

Julia and Victoria are surprised to find hope and belonging in a new story of humanity with The Dawn of Everything by “the Davids” (Graeber and Wengrow), the anthropological clapback to Sapiens by Harrari.

Julia is truly bamboozled, Victoria embraces that she is a vampire girlie, and they both dig into the context of Joseph Sheridan LeFanu’s Carmilla, edited with commentary by the absolute legend Carmen Maria Machado.

A Suga bias (Julia), a Jungkook bias (special guest RJ), a V bias (special guest Adam), and a person who knows almost nothing about K-pop (Victoria) have a spirited conversation about the style and silences of Beyond the Story: A 10-Year Record of BTS by Kang Myeong-seok and translated by Anton Hur, Clare Richards, and Slin Jung. There are… emotions.